Located only a block from the Philadelphia Convention Center near Chinatown and other attractions, the building could easily fit into tourists’ itineraries, Byers and others said. “There really needs to be an honest understanding with the city and the amount of revenue that’s being left at the table by not recognizing the decades upon decades of American Black music.” “The world has looked at Philadelphia’s phenomenon when it comes to music for decades,” he said. At the same time, we’re committed to developing this particular site.” “They are attempting to see what can be done to accommodate your condition. “This is an especially important project to my client,” the lawyer told the Commission. Tinari said his client doesn’t yet have designs for the site, but the owner is working on one that would work within the preservation rules. The Historical Commission does not have jurisdiction over zoning approval and it does not preclude future uses or redevelopment. “That would have to be revised,” Tinari said. According to permits filed with the city in 2018, the developer had planned to remake the site into a 10-story building with 26 dwellings and a roof deck. Lawyer Nino Tinari, who represented the building’s owner at Friday’s hearing, said his client is willing to explore options for developing the site within the rules of the designation. The designation means that the building’s owner cannot tear down or significantly alter the structure without proving a special hardship and obtaining permission from the city’s Historical Commission. WHYY thanks our sponsors - become a WHYY sponsor “One of the reasons we don’t have museums or cultural spaces, like Nashville or Memphis, that can speak to that history is we have more than 100 years of anti-Blackness that exists within our tourism and hospitality institutions,” Smith said. Tayyib Smith, an entrepreneur who has recently set his sights on revitalizing 52nd Street’s Black business corridor, said he sees the designation as the first step to acknowledging Black Philadelphians’ contributions to music. The Preservation Alliance for Greater Philadelphia, along with partners from Breweytown Beats and the nonprofit Philly Sound Archive, nominated the building for inclusion in the register. Huge names recorded there including Stevie Wonder, Gladys Knight, and David Bowie. The birthplace of Philadelphia International Records - founded by Kenney Gamble, Leon Huff, and Thom Bell - the diminutive brick building carries a legacy of more than 200 gold and platinum records. The Philadelphia Historical Commission voted unanimously on Friday to designate the former recording studio at 210-212 N. In 2009, Finders Keepers Records released some of his 1970 sessions at Sigma Sound as John Hill’s 6 Moons of Jupiter.The Sigma Studios building - birthplace of the famous “ Philly Sound” - has won a spot on the Philadelphia Register of Historic Places, protecting the beloved cultural landmark from demolition. These were done at Philadelphia’s Sigma Sound Studios, but since that studio opened in 1968, I have to assume the Riders of the Mark single was recorded elsewhere.

Studio musicians included Kirk Hamilton on bass and Jim Valerio on drums. Hill produced and played guitar on Margo Guryan’s 1968 LP Take a Picture, and produced the sessions that would be released as Susan Christie’s Paint a Lady. John Hill and Don Cochrane composed “Love, Love, Love, Love, Love” for the Nite People, also done by Wool, and John Hill released it under his own name on a Columbia 45 backed with “I’m a Bear”. Tony Luis and John Hill produced both sides, and Hill arranged “… Herr Doktor Krieg”. Blackwood Music published both songs, and the Blackwood connection features in the lead for news items on the recording in Cash Box and Record World. John Hill wrote “Gotta Find Somebody” John Hill and Don Cochrane wrote “The Electronic Insides and Metal Complexion That Make Up Herr Doktor Krieg”. The Riders of the Mark may have been a real group, but the credits on their 20th Century Fox single don’t support that idea, and instead point to John Hill, Don Cochrane and their associates. Teen Beat Mayhem lists locations of Moorestown, New Jersey which is east of Philadelphia, and Lancaster, Pennsylvania, over an hour’s drive to the west. One side is the very accessible “Gotta Find Somebody” the flip is the wild two minutes of “The Electronic Insides and Metal Complexion That Make Up Herr Doktor Krieg”. In November 1967 a single by the Riders of the Mark came out on 20th Century Fox Records 45-6694.

Sigma sound studio philadelphia